Mother of god. I actually wrapped up Read Only Memory Vol. 2. Seriously, there were times over the last two years where I wondered if it was even going to happen or not. After two years of work, here it is in its entirety.

Unlike Vol 1, I had planned this video sequence from the get go. I kind of cobbled together the compilation video of Vol 1 and tried to make it work as well as I could. While I managed to do a decent job at making the shorts interlock, I wanted to step my game up a bit for Vol 2. I knew from the start of this project that I was going to use live action video to link all the shorts together. The idea was to do a “day in the life” kind of thing from what it was like to grow up playing NES games.

I actually almost ran into a problem with the footage. I actually recorded all of the snow stuff two years ago. My nephew, who is the boy in the video, has obviously now aged two years since then. I recorded the second half of the footage, the drawing part and the going to bed part, only two weeks ago. I was able to make it work because I show as little of him as possible. The idea there being that I wanted him to represent the kid who grew up playing these games. The moment you give him a face is the moment he has an identity, so I stayed away from that. It worked in my benefit because he does look a lot different than he did two years ago.

You may notice many of the shorts in Vol 2 have gone through some changes. I did this to try and keep everything as consistent with the tone of the setting as possible. I rewrote and rerecorded Howard & Nester & Metroid to make it feel more like a legit Howard & Nester comic. The entire dog idea from Contra with Two Players was thrown completely out the window, turning Contra into more of an action cartoon than it was before. While I didn’t change anything thematically for Take a Key for Coming in, I went through nearly every single shot and made some sort of tweak to it. Link’s Triumph is the only short that was left virtually untouched.

I mentioned the music earlier. I was fortunate enough to be given permission from Simon St√•lenhag to use his track Fluvial Beat Deposits from Ubiktune’s SOUNDSHOCK 2: FM FUNK TERRROR!! album. When I first heard this track I knew it had to be used in this video. While it doesn’t quite give off a NES chiptune vibe, I think it fits the setting so well. I don’t know how Simon feels about his track being accompanied by what I’ve created, but I’m in his thanks. The music for this video was extremely important to me because it acts as the bridge between everything. It tells the story, it holds the feeling of the setting and creates the mood. I just love it.

So when I first set out to make Vol 2, I told everyone that it was going to be much better than Vol 1. Personally, I think I’ve completely outclassed Vol 1 by a long shot, and I hope that you agree. With ROM all wrapped up, it’s time to move onto my next big thing. Wish me luck.

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